身后事2009

　　博兰顿（约翰•达尔John Dall 饰）和菲利普（法利•格兰杰 Farley Granger 饰）都是哈佛的高才生，一天，都是同性恋的两人合谋杀害了同学戴维，并藏尸于一个大箱子中。或许是出于炫耀，他们做出了一个惊人的举动。那就是用装着戴维尸体的箱子当餐桌，邀请了戴维的父母、未婚妻、同学和茹伯特教授（詹姆斯•斯图尔特 James Stewart 饰）来赴宴。他们谎称戴维外出了，和客人们在戴维的“棺材”上进行着宴会。胆小的菲利普从宴会开始就开始坐立不安，但是博兰顿却不慌不忙，在客人中滔滔不绝。然而，聪明的茹伯特教授从博兰顿的谈话中渐渐察觉出事有蹊跷……

　　A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.

　　Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.

　　约翰刚出狱，即与一名开葬仪社的老朋友见面。那人告诉约翰，你父亲留了一大笔钱在雷弗特角等他。没想到该地正为一群怪物所困扰，并准备除掉怪物，约翰加入了打击魔鬼的阵营中，无暇去管那笔钱了。

　　The story of a young woman who is recovering from a mental condition after she is severely attacked. The mental illness caused her to fight anxiety. And some stories that even she could not distinguish The image of fear is true or she is afraid of his subconscious mind.

　　美国中西部某个小镇，玩偶制作师塞缪尔·穆林斯（安东尼·拉帕格利亚 Anthony LaPaglia 饰）和妻子埃丝特·穆林斯（米兰达·奥图 Miranda Otto 饰）女儿安娜贝尔（萨马拉·李 Samara Lee 饰）过着幸福无忧的生活，然而突如其来的车祸夺走了安娜贝尔的生命，穆林斯一家的生活从此陷入黑暗之中。12年后，一辆老旧的大巴拉来了修女夏洛特（斯黛芬妮·西格曼 Stephanie Sigman 饰）及其收养的孩子，从此之后，穆林斯的房子便成为了她们暂时落脚的新的孤儿院。
　　此时的塞缪尔面色阴郁，他引领孩子们参观这座房子，却独独禁止女孩们步入安娜贝尔的房间。好奇心颇重的琳达和珍妮丝没有听从塞缪尔的话，她们由此打开了恐怖的大门……

　　郑和的妻子被发现死亡，他涉嫌谋杀，但对晚上的事一无所知。他的记忆会恢复吗？他是无辜的吗？韩国导演的一部轰动一时的处女作。

　　大卫（詹姆斯·麦斯登 James Marsden 饰）是一位小有名气的剧作家，为了能有更好的创作环境，大卫携爱妻艾米（凯特·波茨沃斯 Kate Bosworth 饰）回到了风景宜人的南方老家。老家清新的空气和闲散的生活让两个疲惫的城市人感到十分的新奇，而在这靓丽的风景之下，原住民们对这对初来乍到的夫妻却并不能算得上友好。
　　秉着息事宁人的态度，大卫对来自外界的种种歧视选择了默默忍受，甚至在妻子被一名当地的建筑工人设计强暴之后，他也只是希望能够大事化小小事化了。可是，大卫的一味忍让换来的却是变本加厉的欺负，当一群“野蛮人”试图闯入他家时，曾经懦弱的大卫选择了拿起武器，为了保卫自己最后的家园而战。

　　In this sci-fi chiller, a young woman's peace is shattered when she begins hearing loud screams in her head. They are the agonized wailings of an astronaut deliberately marooned upon the moon by a double-crossing experimenter. Soon the woman becomes possessed by the astronaut.

　　亚历山大艾伯林，俄国人，在经历过一段地狱式训练后成为一名高级间谍被派到英国情报局卧底，秘密执行各种间谍任务，时间转瞬即逝在英国情报局总共呆了18年之久，长期的间谍任务使他心力交瘁，于是他想重回祖国的怀抱，但是被他的上级否决，此时，他又被派到英国各处秘密执行暗杀计划，此时亚历山大·艾伯林人生有了新变化，个人安全处在危在旦夕中……

　　This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.
　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.
　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

　　故事发生于十九世纪的瑞士，大名鼎鼎的诗人拜伦（加布里埃尔·伯恩 Gabriel Byrne 饰）隐居在位于瑞士乡间的一座古堡中，在这里过着放荡不羁自由自在的生活。一天，他的好友雪莱（朱利安·山德斯 Julian Sands 饰）登门拜访，同时和他一起来的，还有雪莱年仅19岁的年轻情妇玛丽（娜塔莎·理查德森 Natasha Richardson 饰）、玛丽同父异母的妹妹克莱尔（米丽亚姆·西尔 Myriam Cyr 饰）以及拜伦的私人医生约翰（蒂莫西·斯波 Timothy Spall 饰）。
　　当晚，古堡外狂风大作，暴雨袭来，这样一种阴森可怖的场面，让一屋子的人决定围在一起讲恐怖故事，但渐渐的，那些故事里的妖魔鬼怪，似乎打破了虚构与现实的壁垒，现身于古堡之中。