喜剧二人组

 十一（黄明昊 饰）从小由父亲张永勋（白客 饰）独自抚养长大，自出生时就离世的妈妈东玉（马思纯 饰）对于他而言则是陌生人般的存在。处于青春叛逆期的十一，在自己18岁生日这天意外发现了一本「妈妈的日记」。在好奇心的驱使下，十一翻开日记，开启了一段“认识妈妈”的旅程——十一跟随着妈妈的成长经历，邂逅了她人生不同阶段的重要人物——霹雳舞学长（梁靖康 饰）、高中闺蜜彩霞（嵇嘉禾 饰）、发小刘皮孩（王天放 饰）、初恋小哥（孙阳 饰）以及老公张永勋。这些人物串联起东玉一生所经历的友谊、爱情与亲情…… 透过这本「日记」，十一看见了东玉短暂却向阳的一生，也终于感受到了她对自己从始至终不曾缺席的爱……

　　学成出师的王兆杰（钱小豪 饰）、吴立（程琢 饰演）及一众师弟，踏入影视圈做武术替身演员。因兆杰功夫过硬且十分敬业，得到女星陈诗琦（胡然饰）青睐担任其替身演员，却得罪同组富二代男演员葛政（张明明 饰）。葛政对王兆杰各种使坏，甚至让师弟重伤入院。心有所愧的兆杰人生陷入黑暗，燃烧的武术梦也逐渐暗淡……

　　周文宾不仅仪表堂堂而且满腹诗书，是江湖上有名的才子。元宵灯会当晚，周文宾一时兴起男扮女装去灯会闲逛，他的扮相实在是太过于天衣无缝了，就连他最好的朋友都没能识破他的男儿身。王天豹仗着家里有钱有势四处为非作歹，竟然想要在灯会上抢钱民女，周文宾看不过去出手相救，却被王天豹误认为是女子抢回了家中打算娶她做老婆。
　　当天夜里，王天豹将周文宾安置在妹妹的房间之中，一夜过去，这两人之间竟然碰撞出了爱情的火花。天亮之后，王天豹震惊的发现自己劫来的女子竟然变为了男儿身，不仅如此，自己的妹妹还发誓非他不嫁。无奈之下，王天豹只得在误打误撞之中成为了大舅哥。

　　讲述3组夫妻和1个单身男子在饭桌上展开一场游戏，手机中的秘密曝光，他们的人际关系将发生改变。

　　Ryan is a womanizing stockbroker whose unethical business practices cost him his job and his trader's license. Unable to find another job, he is forced to move in with his equally self-involved (and completely oblivious) girlfriend, Cindy, an insensitive advice columnist on the cusp of losing her own job due to her poor advice and slow work habits. Finding that the truth behind his moving in has nothing to do with romance, Cindy runs off with another man. Ryan decides to stay in the apartment and earn a living by doing Cindy's job. Ryan establishes himself with Cindy's editor, Page, as Cindy's go-fer, collecting Cindy's paychecks and mail and delivering "her" columns. Initially as hopelessly inept as Cindy in giving advice, he nearly gets the column canceled. However, he rapidly grows into the job and the combination of forced introspection, research and the growing knowledge that he is touching other people's lives transforms him. The column becomes an amazing success. Ryan finds his initially superficial attraction to Page growing into love, but he cannot reveal his feelings while he is a deceptive fraud. Meanwhile, Cindy becomes aware of "her" growing fame, and returns to cash in, at the same time that the owner of a rival newspaper chain attempts to force Page to sell "Cindy's" column to him.

　　宁静祥和的农场里，小羊肖恩和伙伴们大开脑洞，做着各种挑战生命极限的游戏。这可气坏了牧羊犬，他接二连三制定禁令，防止羊们兴风作浪。肖恩哪能随便被人摆布？他想出鬼点子，通过电话订购了披萨，谁知却引来了一个始料未及的不速之客。来者是一个名叫噜啦的外星宝宝。虽然语言不通，但通过肢体语言，肖恩终于弄清噜啦想要找到飞船回到自己的家乡。经过一番缜密的策划，肖恩终于和这个新朋友踏上寻找飞船的征途。与此同时，不明飞行物的造访在小镇引起轰动，同时也惊动了一个专门追寻外星生物的政府机构。
　　本来一波三折的寻找飞船之旅，如今又加入了气势汹汹的对手，肖恩他们将面临前所未有的考验……

　　阿林（林海峰 饰）一直以来都梦想着能够手执教鞭站上讲台成为教书育人的老师。如今，他的理想终于成为了现实，可是直到此时，他才发现，现实是如此的枯燥和残酷。阿林每日要面对的是调皮的学生和机械化的教学任务，没过多久，阿林的热忱和理想就完全的被磨灭了。
　　阿黄（黄秋生 饰）是阿林的同事兼好友，身为单身爸爸的他和五岁的儿子过着相依为命的生活。某日，学校里新调来了漂亮开朗的李老师（徐子淇 饰），李老师的出现让阿林和阿黄在苍白的生活里看到了新的色彩。阿林和阿黄同时喜欢上了李老师，但得知了阿黄的心意，阿林决定默默的退出。

　　A New York social worker finds herself embroiled in the kidnapping of a Washington DC socialite.

　　小驯鹿尼柯（埃里克·卡尔森 Erik Carlson 配音）的爸爸是圣诞老人团队中的一名成员，但是由于常年在外，以致于和妻子的关系日趋冷淡，处于分居状态。尼柯志愿加入圣诞团队，并且在父亲的指导下展开训练。虽然他期盼父母能够重归于好，可是事与愿违，母亲结交了新男友兰尼（里库·涅米宁 Riku Nieminen 配音），兰尼还给尼柯带来一个小弟弟强尼（尤哈娜·瓦伊蒂宁 Juhana Vaittinen 配音）。尼柯无法接受眼前的事实，他对强尼恶言恶语。结果在野外玩耍的时候，强尼遭到白狼集团的绑架。
　　心怀愧疚的尼柯无法放任不管，他独自踏上凶险的征途。尼柯和强尼的命运将会如何……

　　在一场巨大的太阳耀斑摧毁了地球东半球之后，一名大胆的寻宝者受雇前往欧洲去寻找《蒙娜丽莎》，却发现这个世界更需要的是英雄，而非一幅画。

　　出租车司机文章（黄子华 饰）一年前偶遇住在南丫岛的维族舞女阿曼（江希文 饰），自此每日接送阿曼上下班，心中对她充满了绮想。某夜，文章和一女子发生一夜情，谁知却因用药不当造成他变成性无能。文章听从医生建议，在阿曼的陪伴下搬到南丫岛静养。酒吧老板娘比莉（蔡少芬 饰）提供住处给文章，而比莉，曾经是阿曼的同性情人。文章在酒吧因缘际会结识了女警Ron（孙佳君 饰），性无能的文章没有在Ron醉酒时趁人之危，这令Ron对他大有兴趣。不久，阿曼的老公阿东（张达明 饰）从大陆来港，阿东自幼学画，观念颇为开放，在得知阿曼和比莉有过一段情后大胆建议比莉和他们一起生活，但遭后者坦率的回绝。Ron为了能使文章重振雄风想尽了各种办法却不见效，阿曼此时也对这个暗恋自己的男人产生了兴趣……

　　Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.